I attended the first three days of Gathering of the Gamelans, a national gamelan symposium and all-night wayang performance held at the University of York on 26 to 29 April. More than just attended in fact as the wayang was by yours truly, accompanied by more than 150 musicians from around the UK. I'll let others blog about the wayang show (I know my friend Simon van der Walt is planning something) but wanted to say a few words about the symposium (organised by PhD student at the university), which did an excellent job in showcasing recent developments in UK gamelan. I didn't get to half of the sessions due to preparations for the wayang, but what I did see and hear struck me as both respectful of tradition and also very innovative.
One of the more startling revelations was a presentation by Bristol-based music educator Andy Gleadhill (titled Employing gamelan to reach pupils who do not readily engage in school music) which revealed that he had developed a simplified version of gamelan (with textbooks, teacher training etc) and had brought 60 sets of instruments made from recycled metal in Bali into schools around the UK. A workshop by Nikhil Dally (“The Song of the Gong”: teaching Javanese gamelan to the early-years with reference to Kodály, Dalcroze & Alexander) was wonderfully participatory, asking 15 volunteers to behave like 6 years olds in learning a simple gamelan piece through song, movement and play.
Also noteworthy (for me at least) was Bapak AL Suwardi's presentation on his instrument making practices. I studied suling with Pak AL briefly in Solo in 1988, and he made me a couple of suling as part of this- but his 'gamelan planet' instruments today are very innovative indeed.
Congratulations are due particularly to Ginevra House - who did so much of the organising!
I am currently in the UK preparing for a big wayang performance on 28/29 April with musical director John Pawson and a large number of gamelan musicians from around the country - celebrating the 30th anniversary of the University of York's gamelan Sekar Pethak. Rehearsals of this have taken me around the country (London, Oxford, Bristol, Glasgow, Durham, York).
One of the organizers of this wayang (which is a high point of a gamelan symposium) has set up a posterous space (http://lokananta.posterous.com) and I've been blogging there - providing 'dhalang updates' for the benefit of contributors to this massive event. The tour has been interesting for me on multiple levels - and provided a nice break from my sabbatical at NIAS this year. Inevitably the experience of touring will work itself into the wayang itself - always a reflexive medium.
I started this blog in October 2008 in preparation for a trip to Indonesia. It is a space to share some of my thoughts and ideas about what I am writing, researching, studying, performing and thinking about. I have long-standing research interests in the world of wayang; Indonesia's diverse popular theatres such as komedi stambul, ketoprak, ludruk, sandiwara and tarling; and the arts and culture of Cirebon. I am also a practicing dalang (shadow puppeteer) - having studied at both ISI Surakarta and with a number of Cirebon puppeteers. I use this blog to report on all Indonesian performing arts - folk, classical, popular and modern - as well as visual culture on occasion.
I am Professor of International Theatre at Royal Holloway, University of London, with research interests in Indonesian performing arts and traditions of puppetry around the world. I also perform as a shadow puppeteer (dalang) on occasion - see http://kandabuwana.wordpress.com/